My work explores the relationship between life as performance and emotional memories. With influences as diverse as Da Vinci and Buckminster Fuller, new synergies are distilled from both explicit and implicit textures. I am fascinated by the theoretical limits of the mind. What starts out as triumph soon becomes corroded into a tragedy of power, leaving only a sense of failing and the unlikelihood of a new reality. As undefined phenomena become undefined through frantic and diverse practice, the viewer is left with an impression of the edges of our future.