My work explores the relationship between life as performance and emotional memories. With influences as diverse as Da Vinci and Buckminster Fuller, new synergies are distilled from both explicit and implicit textures. I am fascinated by the theoretical limits of the mind. What starts out as triumph soon becomes corroded into a tragedy of power, leaving only a sense of failing and the unlikelihood of a new reality. As undefined phenomena become undefined through frantic and diverse practice, the viewer is left with an impression of the edges of our future.

Drawing of my step-daughter, right before she is going to bed with her slumber partner.

It’s a sequential graphic graced with a new style of mine inspired by graphic novelists such as Jaime Hernandez and Osamu Tezuka. Sport fighting is also a great passion that I frequently take with me in my artistic explorations.

The theme of my work here is, of course, losing. What does it mean to lose? Who’s losing in this story? I leave the story open ended because I feel the questions are the same. I like to think it’s wise to feel that losing is subject to individual perspective so I feel free to give my open ended, non-personal perspective.

I am a printmaker, drawer, and human being. This body of work intends to illustrate a narrative, story and composition that could resinate with you all. I want to tell a story. it might be my story, their story, or your own story, so feel free to deepen into my work and take it all personal.

Lines and marks of a fine pointed ink pen enable me to express and evoke what a brush cannot. The line is the journey as much as the landscape form and emotion emerges.

The Mental image in the body of the work deals with the processing of information and an attempt to explain the human mind.
The image describes the internal depiction and the representation of the individual and the group within each composition. The mentality of the object in the painting is received from data and a personal conception that comes from the movement itself.
The characters I chose to present have selected from a human circle that lives in the bounds of a definite and binding frame. Through the painting, I try to give another view, which is free from all claims and social fixation. The characters play a lead role in each of the scenes on the canvas, allowing the viewer an intimate and overwhelming dialogue into the characters and images.
Some of the works display figurative exhibitionism and a personal expression of the naked human body, not as an erotic gesture, but rather as a gesture to those artistic conceptual images that make up complex compositions, which only an artist’s canvas can support without exposing too much.
The works include motifs of images from both the Christian and Buddhist religious and spiritual worlds, which, in one moment, create intimate moments of ritual ceremonies where imagination is the limit, and, in the next, there is no limit to imagination

This work deals with the disconnect in the information provided us by computers, assuming it knows what we are inquiring about better than we do, thereby offering, in some instances, a variety of unrelated misinformation.