Still Feeling Blue About Colour Separation
Tracing the history of the colour calibration card through many lenses, I effectively remove all colours, save one.
Tracing the history of the colour calibration card through many lenses, I effectively remove all colours, save one.
This film uses images from a found 1957 Photographer’s Almanac to address the changing terminologies of lens-based practice.
I have worked tightly in watercolor my whole life, making a living as an artist.
Experimental digital art inspired by the concept of repeating 8, the infinite.
“gridSol-precomps” comes from work first generated as small ASCII drawings.
The Faceless project started from the need to tell the human body and the huge communicative potential that it brings…
forget your boring music-collection forever and enjoy darko milicevic’s amazing AUDIOvisualILLUSIONS…